Creative Workflow Hacks

As I take a chance to catch my breath after a bunch of big projects, I’ve been taking a look around to see what’s happening with other folks. While I was doing research I ran across the scripts, expressions and experiments at nabscripts.com. nabscripts is written in french so although I’ve noticed it in the past, it’s on my blogroll and nab is a regular poster at aenhancers, I haven’t dug into his (her?) site as much as I might normally.

Well, recently I ran across his collected scripts in english, and I must say they are a really nice set of scripts. I particularly like the auto orient camera script and createCylinder script. There are also a ton of utility scripts for making your every day life easier. The script collection section is also available in the original french. Nice work all around.

Have you had After Effects 7 hang on Initializing User Interface on start up? Like so…

I’ve seen a couple of instances of this problem and it seems to occur when a User Workspace becomes corrupted. The fix that’s worked for me is to replace the folders at

In OS X
YourLoginName/Library/Preferences/Adobe/After Effects/7.0/ModifiedWorkspaces/

and

YourLoginName/Library/Preferences/Adobe/After Effects/7.0/OriginalUserWorkspaces/

with backups. If you don’t have a recent backup, you can delete these folders and they’ll be recreated but you’ll lose your custom workspaces.

I’ve only had this crop up on OS X machines to this point, so I haven’t dug into the custom workspace definitions locations for Windows. If anybody has had to track this down for Windows could you leave a comment or send an email to dale(at remove-this)creative-workflow-hacks(dot)com and I’ll update this post.

UPDATE 11-18-2006 David Baertsch writes…

After reinstalling AE 7.0 for Windows, my system would hang on “Initializing User Workspace” I googled that
and got to your fix for Mac, that sent me in the direction to find the fix for Windows.

C:\Documents and Settings\UserName\Application Data\Adobe\AfterEffects\7.0\ModifiedWorkspaces

“UserName” is the name of the logged in individual, and the UserWorkspace1.xml files are the saved
workspaces… I deleted them and though my Workspaces were deleted, Aftereffects launched fine after
that. (There were several files UserWorkspaceX.xml)

Thanks for giving me the idea where to look. Hope this helps other users.

When we were last talking about reading timecode from FCP sourced Quicktime’s I followed a tangent into Spotlight and other OS X technologies. Well, recently I revisited this problem for another project I’m working on and I think I’ve got a working solution for reading embedded timecode in After Effects on OS X.

timecodereader is a command-line utility that takes a path from After Effects via system.callSystem() and returns either the embedded timecode or the string . Right now the included .JSX script just writes that information to the console, but there are a lot of cool uses for Quicktime timecode in productivity scripts.

How to Use timecodereader

Download the zip archive, and either compile a new binary from the included XCode project or move the already compiled binary from build/release to a local binary directory. Since this is a command line tool you will want to move it to a location in your Path statement so you can use system.callSystem(”timecodereader ” + String(thisItem.mainSource.file))” instead of system.callSystem(”/path/to/timecodereader ” + String(thisItem.mainSource.file)) .

Update 09-09-2006: Lloyd Alvarez points out at aenhancers that AE preferers ~/bin/timecodereader when we set up as below. I’ve adjusted the enclosed script.

In the default Bash shell

export PATH="$PATH:~/bin"
echo 'PATH="$PATH:~/bin"' >> .profile

will setup a path to bin in your User directory. Move the enclosed script to your Scripts folder, select a Quicktime file in the Project window and we’re done.

When I run the script, I get these results (The 1:00:00:00 timecode is due to the fact that I’m using writeln to write to the console so the previous lines scroll up until they are out of view).

I’ve tried timecodereader with quite a few Quicktime’s but obviously there might be a few that aren’t handled well, so consider this a beta release. The compiled binary is a universal binary so it should work on both PowerPC and Intel platforms. One gotcha, is that if you have a codec that is not compiled for the supported platform you might get a dyld returns 2 log message that might futz with your script. You can either work around it via string handling or remove the codec since it won’t work anyway. You’ll need to turn on Allow Scripts to Write Files and Access Network and turn off Enable JavaSript Debugger so we can eat the errors.

timecodereader requires After Effects 7, and OS X 10.4+

Updated file: 09.09.2006

Fixed a problem with external Hard Drives and Mounted Volumes. After Effects does not add /Volumes/ to drive paths like OS X, so /Volumes/MyHardDriveName is reported as /MyHardDriveNameI’m basically checking all mount points and adding /Volumes when appropriate, unfortunately the response is a bit slower if you have disk images or a lot of volumes mounted. If anybody knows anything faster send it my way.

Also. I’m using metadata checks for com.apple.quicktime-movie to check whether the file is a quicktime file. This only works on volumes that are indexed, so it might not work on mounted server volumes. I can add alternative QT detection if anybody finds it useful or necessary.

Zip Archive of Binary, Script and XCode Project

Update 9/11/2006 6:20PMI said I’d update this post when updated drivers were available, and it looks like the 8/29/2006 drivers from AJA have addressed this issue. Download them here.

Update 8/19/2006 2:50PM OK. It appears that downgrading the codec to version 1.2 fixes the issue. Run the uninstaller, and grab the 1.2 codecs at Aja’s site. I’m going to leave this up for any future Google searches and I’ll update it when there is an upgraded codec. Thanks to Evan on this one.

I’m running into a problem with Kona 10bit RGB output with trillions+ that I’m hoping somebody might be able to help with since I’m on a really tight deadline. I’ve been happily producing 10 bit RGB quicktimes with trillions + option for weeks now. I bought several new machines that have introduced a new endian option in the compressor options like so…

This is what all of our older machines with the same version of OSX, Quicktime and Kona drivers look like…

All of the Quicktimes we produce from the computers with the endian option produce black frames no matter what combination we use when trillions+ is selected. I’m aware of endian issues with the new Intel Macs vs G5 Macs, but I can’t seem to produce a working combination and like I said all software is up to date on all machines. I’m guessing a firmware issue or something. I’m hoping somebody has a working workaround and can send a comment or email to dale(at)creative-workflow-hacks(dot)com. Normally, I’d just go through tech support options, but my deadline is pressing. Thanks folks.

After Effects 7 has debuted to decidedly mixed reviews at work. While most folks are excited about the new features, there is a general unease with the new interface. It’s as if we’re dealing with a new Adobe OS. I think as we get a few projects under our belt the unease will dissipate a bit especially since we have such a history with the application and it is strong in features and implementation. My personal opinion is that user feedback will moderate the interface in future versions and I want to point out one example of a platform specific UI cue that is an example of why you might want to not make an application too uni-platform.

A dirty document in OS X is a document with unsaved changes. There is a clear way to indicate this. Here are a few examples in some Adobe apps.

In Photoshop, a document before making a change

In Photoshop, after making a change

In Illustrator, a document before making a change

In Illustrator, after making a change

Notice the filled in bubble on the left? Now let’s do the same thing in After Effects.

In After Effects, a document before making a change

In After Effects, after, umm, making a change

In After Effects we lose an OS X interface cue. My guess, is this is an oversight from creating the interface with non-standard GUI widgets and that’ll get fixed in a later verson. But it is a great example of what happens when you try to go it alone in interface land, especially with Mac users who are a notoriously finicky lot. So, when I talk to Adobe developers, I’ll be sure to put in my voice for letting each platform retain its own individual personality.

btw…I am aware of the asterisk next to the file name cue, but this isn’t an either/or situation, so many interface cues are practically subliminal, and if a quick glance to the left corner doesn’t give me what I’m looking for, I’ll just think that it isn’t Mac like without really knowing why.

A common scripting requirement is to pull random values from within a defined range. For example, in the block dissolve transition the individual blocks of video are extracted from the video in a random order. Let’s revisit our float away video wall script and customize it to work in the same manner as a block dissolve but with a little more flair. We will scale the individual blocks up instead of just transitioning on and off.

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final update July 15, 2006

Added a new Point of Interest expression instead of dealing with the Auto-Orient dialog as detailed in the comments.

second update July 14, 2006

Chris Prosser suggested a decent workaround of using app.executeCommand(app.findMenuCommandId(”Auto-Orient…”)) to auto-launch the Auto Orient dialog. Which in my opinion makes the script pretty usable, even with the slider range problem. Right now, I’m launching a dialog that reads “Auto Camera Rig” needs to have Auto-Orient set to “Off”, please set it in the following dialog and then immediately launching the Auto-Orient dialog. I’d be interested in feedback on whether I should leave the two dialog boxes for context or use a saveSetting() preference to give the user a Never Show Again option as well as Ok. Power users could always just comment out the alert line. Scripting UI’s are always difficult for me, I think I know how I’d handle it in a regular mac app, but I’m not so sure how to handle it here.

update July 14, 2006

Stu Maschwitz pointed out some deficiencies with the original version of this script and provided a sample project of a much better implementation of a rigged camera project. Unfortunately, there seem to be a couple of show stoppers for recreating his project via scripting and I’d love some feedback if anybody has worked through these issues, and if not I’ll send them off to aebugs@adobe.com. The first is the addCamera() method assumes a point of interest in its constructor. That seems to make the UI equivalent of layer:transform:Auto Orient:Off impossible. I’ve tried setting the property to Null, etc. with no success. Interestingly, there is a useful assistant to set the property. Secondly, I can’t seem to set the slider control range via scripting. I can set the value but not the range so this may be less of a show stopper than the first. I’ve uploaded the changes that reflect Stu’s sample project, so if you find running the script then turning Auto orient off (command-option 0, on the Mac..control-alt 0, windows? I don’t have a Windows box handy), and can live with the slider range limitation, then great. Send any fixes my way and I’ll incorporate them. I think I see why nobody took this one on .

I was doing a bit of research and ran across Kyle Sim’s request to automate his process of rigging an After Effects camera on aenhancers and the adobe forums. Seemed like a really useful script and as near as I can tell nobody has tackled it, so I decided to give it a shot.

Usage is really straight forward, copy the script to After Effects:Scripts and run it from the scripts menu with an active Comp selected. I’m not doing any layer name checking because I think it’s possible that you might want more than one camera and null, although we’d have to adjust the expressions accordingly.

When I run the script my effect window for the Mover Null looks like this and it does a great job of making the camera move really straight forward.

You’ll have to thank Kyle or whoever set up the original expressions for the idea, this just automates the creation of the rig.

Update 04.21.2007

Paul Tuersley kindly updated this script with some cool new features.

I've attached an update to your db_autoCameraRig script.
I've added a  check for AE8 which then automatically
turns of Auto-Orient.
I also  streamlined the bit that sets  the position / POI
values.

Here’s Paul’s new script, and I’ve left the original up as a legacy 1.0 version in case we get any problems out in the field.
JSX script With Paul’s Improvements
Original Source JSX script
Update 06.10.2007
Paul kindly sent me additonal updates to his modification of the script.
Paul writes…

I’ve tweaked how this version deals with the Auto-Orient issue, which
you may want to check out. In AE6.5 it puts up an alert to tell you
to turn Auto-Orient off, in AE7 it does the same and then opens the
Auto-Orient dialog and in AE8 it turns Auto-Orient off automatically.
I also added expressions to all the properties you shouldn’t alter,
effectively locking them.

Thanks Paul.

Paul’s lates modifications - JSX script in a zip archive

I was watching HBO a bit ago and noticed a fun promo where the playing video breaks into a grid and slowly floats away out of frame (Anybody familiar with the work know where I can find a link to a web video? update: 08-07-2006 Greg Grusby correctly pointed me to this page from Shilo which makes it clear that my script is just a tech demo <grin>.). Although I’m not a fan of duplicating a concept just to mimic it technically, I thought it might be fun to work through the steps necessary to pull off something similar via After Effects scripting.

Update July 12, 2006

Thanks to Jeff Almasol for the tips about Alpha Add and Null names in the comments below. I wasn’t aware of it, but it looks like his script rd_Slicer addressed a lot of this how-to without the float away expression in a really nice package. Jeff’s scripts and resources at redefinery are must see.

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Video Wall Make a Big Impression

This one is a little rough around the edges, but I wanted to get it out there so I can get some feedback and feature requests from readers.

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UPDATE 08.16.2007 Interim solution for AE CS3, see details at the end of this post.
I’ve been posting for a while about integrating databases into our workflow. A good database and workflow architecture can really maximize your productivity. But the bottom line is that most collaborative work gets done in a piecemeal fashion either by email, cut and paste or sending documents back and forth to clients and collaborators. I’m sure you’ve run into a situation where you find your self cutting and pasting between an Excel document into a text field while making Lower Thirds, Slates, Titles or other text-centric project. In this article I’ll explain a workflow to automate creating Lower Thirds in After Effects and I’ll follow up with an article on how to do the same thing in Final Cut Pro shortly.

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