When you apply a filter can make a big difference

I was browsing around Apple’s Tech Note website when I ran into this technote. Apply the Broadcast Safe filter last in Final Cut Pro. The article discusses the importance of applying the Broadcast Safe last in a filter stack to insure that you really are limiting the colors in a sequence to broadcast safe colors.

The idea of a pipeline is one of the trickier ideas to master for new users of image processing applications. In image processing each new operation like a blur, composite operation or color adjustment is applied and then passed to the next operation. In the example that Apple gives above, a Proc Amp operation applied late in the pipeline could boost the color levels outside of a safe range even though Broadcast Safe filter was applied in the stack. I’ve often found when you’ve got a visually unexpected output, moving the filter arrangement will restore some sanity to the expected output.

Additionally, as applications like After Effects transition to 32 bit float environments you’ll see additions to pipelines like HDR Compander which can compress and decompress the pixel pipeline to work with 8 and 16bit effects.

It is important to get a strong conceptual understanding of core concepts like image processing pipelines. These ideas become even more important with programs moving to 32 bit float color and using pixel-level operations via the GPU like in Apple’s Core Image. Finally, I really recommend that you keep up with what Stu Maschwitz posts at Prolost. He writes about really hard tech like color space and image processing but with attention to form and artistry I can only aspire to.

1 Comment

  1. […] Creative Workflow Hacks suggests when you add filters to a clip you pay attention to the “image processing pipeline”….. The idea of a pipeline is one of the trickier ideas to master for new users of image processing applications. In image processing each new operation like a blur, composite operation or color adjustment is applied and then passed to the next operation. In the example that Apple gives above, a Proc Amp operation applied late in the pipeline could boost the color levels outside of a safe range even though Broadcast Safe filter was applied in the stack. I’ve often found when you’ve got a visually unexpected output, moving the filter arrangement will restore some sanity to the expected output. […]

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